When light passes though a lens, it is bent or "refracted." It is changed. We all see the world through the lens of our own experience. Here, Journeyers share some of those experiences and lenses with you. Refractions is a new feature of the Journey web site that will present stories, images and sounds that show how Journeyers see the world and the Divine.
This project was very dear to our late pastor David Gentiles and is dedicated to his memory.
Showing 1 - 10 of 161 Refractions Entries | Page 1 of 17
For the next few weeks, Refractions will be posting stories and pictures from the Journey Haiti team. This week, we are sharing videos from Dave Brown. For more from Dave, check out his blog, The Agnostic Pentecostal.
Raw footage of our visit to a nursing home in Marfranc village. Nursing homes are rare in Haiti, especially this remote part, but some Catholic nuns have brought incredible dignity to these beautiful elders. August 2010.
For the next few weeks, Refractions will be posting stories and pictures from the Journey Haiti team. This week, we are sharing videos from Dave Brown. For more from Dave, check out his blog, The Agnostic Pentecostal.
The usually sleepy village of Marfranc, Haiti, buzzes with activity twice a week for market day. This is what it looks and sounds like. But without the smells, this doesn't do justice. August 2010.
For the next few weeks, Refractions will be posting stories and pictures from the Journey Haiti team. This week, we are sharing videos from Dave Brown. For more from Dave, check out his blog, The Agnostic Pentecostal.
This is a short illustration of the Haitian principle of "Degaje," or, in Tim Gunn's words, "Make it work, people." Here's me painting a school in the village of Marfranc, Haiti. August 2010.
For the next few weeks, Refractions will be posting stories and pictures from the Journey Haiti team. Here is the rest of Dave's descriptions of days 3-5. For more from Dave, including videos, check out his blog, The Agnostic Pentecostal.
One of the days we walked around the market, which only happens two days a week. Market day is when people from all the surrounding tiny villages pour into Marfranc to buy and sell whatever they may have been able to harvest, kill, or otherwise acquire. When you look around at the mountains and jungle, you would never know there were thousands of people living all over the place, under the canopy of banana and cacao trees and behind veils of sugarcane. But on market day they all come out of hiding, wade across the Grand Anse river (there are no bridges), and buzz around the central village.
The sounds: Machetes hacking through cow legs. A hand plane shaving an ice block, making (literally) shaved ice to douse with black syrup from an old antifreeze jug. Machete blades dragging across hand-turned sharpening stones – one man, squatting on the ground, hand-turns a crank that spins an old motorcycle rim, which turns a leather belt, which turns the grinding wheel for the man standing up, holding the blade to the grinder. People shouting. Vendors announcing their wares. Goats bleating. Pigs grunting. Young men slamming dominoes on a piece of plywood. Plantains sizzling in oil in a cast-iron cauldron over an open fire in the street.
Which brings me to the smells – Cow skin and fat festering in the very hot sun. Food simmering next to it. The fragrance of ripe tropical fruit blends into the air, but the sweetness is tempered with the earthy must of the pigs’ wallow nearby. Around the corner is the smell of fresh tobacco laid out on paper, and an old lady smoking her thick, self-made roll of it. And there’s lots of sweat. And that is the market. After people get what they need, they carry it on their heads or drag it behind them (especially if it’s a live animal), strip down, and wade back across the chest-deep river, back to their homes under the trees.
After spending our days painting walls and painting nails and roaming the market, we hiked back home, through a centuries-old cemetery, through a narrow pass in the jungle foliage, past an old sugar pressing plant, down a hillside path overlooking banana plantations and people singing together while they hand-plow fields. Those were most of our days.
Except the day we went to the beach, which, all I can say here, was by far one of the most beautiful beaches I have ever visited. Absolutely breathtaking, and refreshing after our hard work days. A big, private cove flanked by green-covered limestone cliffs. Crystal clear, aquamarine water. And an old sunken WWI German U-boat laying right in the middle of the cove, hinting at the undercurrent of constant political turmoil in Haiti. We played on its rusted skeleton. And there was a swim-in cave. And powder sands. And I can’t say enough.
For the next few weeks, Refractions will be posting stories and pictures from the Journey Haiti team. For more from Dave, including videos, check out his blog, The Agnostic Pentecostal.
This picks up after we had arrived and settled into our cooperative house in the jungle... Days 3-5: Most of our bags did not arrive with us, so many of us only had what was in our carry-ons. We expected such a twist, so I at least had one change of clothes and necessities, but one change of underwear in the sweaty jungle can only go so far. Anyway, this little detail set the tone of our stay, as we grew more attuned to the Haitian principle of "degaje" which is best summed up by Tim Gunn with, "Make it work, people." Just go with the flow, do what you gotta do, rig it, whatever; just don't lose your cool. We woke on Day 3, ate incredibly fresh fruit and hiked into the center of the village of Marfranc to get to work painting a school. My friend Steve and I focused on spraying the upstairs, which was bare concrete, with base coats of barely tinted paint, more like colored water, which quickly soaked into the concrete. To paint the top of the second floor's outside wall, I salvaged a long bamboo stick and taped it to a roller. Made it work. The others painted the several downstairs rooms. Because of the thin paint, this process continued for multiple coats over the next few days. It was hot, dirty, sweaty work, and we all loved it. We had planned to make farther hikes up to some even more remote villages in the mountains to scout sites for a clinic and a school. But we needed a truck to take us to a distant drop-off point, and our host’s truck was broke, and the clutch we brought with us for him to fix it was the wrong part. So we stayed in Marfranc. Degaje. And it turned out wonderfully. In addition to multiple trips to paint, we also paid a visit to the local nursing home, where we brought a different kind of paint, for fingernails. I didn’t like the idea. I hate nursing homes. The stench, the sounds, the sock-clad feet dragging under wheelchairs. The loneliness. But that’s not at all what we found. We found massive smiles. Clapping. Fresh air, zero stench. Laughs. Dancing. And dignity. Far smaller than any nursing home I’ve been to, and far more public. No one had their own room, just their own cot and bedside table, sharing two single-room, open-hallway barns, for lack of a better descriptor. One for women and one for men. No closed windows, no doors. No privacy. But also no beeping medical equipment. No sterility. And not as much senility in my opinion. Just lots of precious souls encouraging each other to degaje. We handed out plastic shaving razors to the men, and then we moved over to the women’s structure. And that’s where my comfort zone disappeared, thanks to Joline, our hostess with the mostest, who invited us to paint the ladies’ nails, because they love it. It was the little push I needed. I painted a few ladies’ nails, the first one’s name was Ramon, a frail lady. She had pus running from her eyes and had difficulty hearing. But she held herself with dignity and a refined toughness that only comes from degaje-ing over a lifetime of hardship. She pulled my hand to her lips for a kiss of silent gratitude. And with that I imagined my late grandmother, with her gentle touch, and all the other mother figures in my life, and how Ramon had this aura about her that all mothers share, and she felt like my grandmother. She loved me and I loved her. All the ladies, maybe 30 of them, got their nails painted, including a young lady, maybe in her teens, who apparently had MS or a similar disability. She can only just lay in her cot, with zero response, only looking as the world spins around her. And Steve, perhaps our “toughest” team member knelt down and painted her nails to make sure she wasn’t left out. It was a beautiful day.
Carl McLendon was part of the Journey to Haiti team. He shares some of his photos and stories with us in Refractions. For more from Carl, see his blog, Simple Gestures.
We met her on the road into town and she sang a song, oh how sweetly she filled the heavy air. Stacie played it back for her and the other children and with ravenous delight they laughed and giggled. She followed down the road and into the school, just to let us know she was available to sing whenever we might ask. I most enjoyed the way her eyes and smile lit up the room.
Carl McLendon was part of the Journey to Haiti team. He shares some of his photos and stories with us in Refractions. For more from Carl, see his blog, Simple Gestures.
"I don’t think the important thing is to be certain about answers nearly as much as being serious about the questions. When we hold the questions, we meet and reckon with our contradictions, with our own dilemmas...When we hang on the horns of the dilemma, between the divine and the human realms—it creates liminal space. All transformation takes place when we’re somehow in between, inside of liminal space." -- Richard Rohr
Today [Sunday Aug. 22] we shared stories of the people we encountered in Haiti, and in expressing ourselves we now look toward the future together with these people who have stolen our hearts. Hopefully we can move forward without falling victim to our pride or hubris which might have us proclaim to have answers to problems we might never fully comprehend. If we learn to embrace this space of humility, we might find ourselves enmeshed in stories we can not yet imagine.
Carl McLendon was part of the Journey to Haiti team. He shares some of his photos and stories with us in Refractions. For more from Carl, see his blog, Simple Gestures.
She is old, but not as old as the tragedies of her life make her seem. Like all new life she was born with struggle and pain, but beautiful and overflowing with life. Life is full of those self-seeking without regard for her, and she has suffered the consequences, but she still keeps going. For most, life has a season of prosperity and a sense of belonging...she had a brief moment of clarity, a very brief moment. Now she suffers atrocities never imagined even in the worst seasons, and, still she keeps moving, keeps meeting the daily challenges. Her age and her difficulties do not stop the warm smile, the open arms, the joy of mere existence that beckons us all, "Welcome, welcome...come sit and let's share our stories."
Carl McLendon was part of the Journey to Haiti team. He shares some of his photos and stories with us in Refractions. For more from Carl, see his blog, Simple Gestures.
I've not experienced the sense of overwhelming devotion to a child since the birth of my own children. I don't know yet why they captured my heart, I am going to be processing that for awhile. I do know it's not pity, it's not guilt, it's not charity. I think it has something to do with their powerful souls, that despite their circumstances, resonates with a power of gentleness that I do not comprehend.
Carl McLendon was part of the Journey to Haiti team. He shares some of his photos and stories with us in Refractions. For more from Carl, see his blog, Simple Gestures.
I closed the gate and started to head up the trail, as I looked up this boy was climbing the trail up out of the banana tree field with his machete in hand. He had that stern look of angst that many teens do, but he broke into a broad smile when I said, "Bonjour!" I then turned to follow Shelton up the trail. As I continued walking I noticed the boy following me, so I stopped and said, "Photo?" He enthusiastically said, "Oui! Oui!" So here he is in all his glory, his beauty, his strength, his humanity.
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